While the profile is extremely versatile and offers greater flexibility, it certainly seems like an enormous undertaking while you’re also balancing other aspects of shooting. However, you then also have to accommodate for the possibility of clipping your highlights (set the zebras to indicate clipping at 107). To offset the chance of noisy shadows, many opt for the idea of “exposing to the right.” This references overexposing two stops to avoid noisy shadows and to later bring down the exposure in post.
Sony cine4 to rec709 lut iso#
While the profile boasts (theoretically) fourteen stops of dynamic range, sitting at a base ISO of 800 on eight-bit data can often set the course for disaster. If you don’t correctly expose the camera, your shadows can become filled with noise. S-Log2 is arguably the most-used color profile, but it’s also the most-debated among Alpha line users. Therefore, we can collectively pull data from the videos to continue the discussion. Thankfully, however, YouTube is inundated with various tests and video comparisons.
Sony cine4 to rec709 lut skin#
As such, the idea of testing the profiles in different circumstances, along with different setups on actors to check skin tones, has become impossible. I wrote the introduction to this article before the rampant spread of COVID-19, and like many around the world, I’m currently only allowed to leave home for essentials.
Sony cine4 to rec709 lut tv#
If this article were a video tutorial, this is where I would freeze-frame, like a classic ’70s TV show, and explain “That is not what happened.” So, is there a benefit to using Cine4 over S-Log2?
You may often hear that while S-Log2 gives you a better dynamic range and greater color grading capabilities, the image is rather. While the Alpha cameras feature many different profiles, the main two that often get pitted against each other are S-Log2 and Cine4. This is without question a concern for the Sony Alpha line. And, a little later into the new decade, newer camera models began to have filmmaking-friendly color profiles.įast-forward a decade, and now cameras feature so many different profiles, it can be an issue to identify which one to use correctly. Then, once the need for filmmaking-friendly profiles became apparent for sub-$2,000 cameras, Picture Profiles started to pop-up everywhere from third-party producers. Initially, at the start of the DSLR revolution with the 5D MK II, filmmakers would customize the presets by lowering the saturation, contrast, and sharpness - to maximize the degree of correction and grading available. the Cine4 - and the importance of color and tones for the integrity of your project.įor every compact camera system, there’s always a debate as to which film color profile to use. In this write-up, we’ll go over the pros and cons of the S-Log2 vs.
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